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Spurious correlation #2,901 · View random

A linear line chart with years as the X-axis and two variables on the Y-axis. The first variable is GMO use in cotton in Alabama and the second variable is The number of photographers in Alabama.  The chart goes from 2005 to 2022, and the two variables track closely in value over that time. Small Image
Download png
, svg

AI explanation

As GMO use in cotton decreased, the size of cotton flowers also decreased. This led to a shortage of oversized, photogenic cotton blooms, causing a decline in demand for cotton field photo shoots. As a result, fewer photographers found it lucrative to specialize in capturing the natural beauty of Alabama's cotton fields, leading to a decrease in the number of photographers in the state.

Model: dalle-3
Prompt: [ Cute 2D animation ] Create an image of a group of adorable cartoon photographers happily taking photos in a vibrant cotton field. The cotton plants should appear lush and healthy, standing tall and proud, with a sea of white cotton balls in the background. The photographers should be positioned in various charming poses, showcasing their enthusiasm and expertise as they capture stunning portraits amidst the bustling field of genetically modified cotton plants. The scene should radiate a sense of joy and creativity, with each photographer fervently at work in this exciting cotton field hot spot. The depiction should include only scenes, people, and objects, it should not include text or speech bubbles.
This image generation prompt was also generated by AI, using the following sequence:

Model: gpt-3.5-turbo-1106
System prompt: You select one of a few potential scene descriptors that seems to go along with the variables described. You respond only with the scene descriptions provided and say nothing else.
User prompt: Here are two variables: GMO use in cotton in Alabama and The number of photographers in Alabama. Given these, which of the following image style descriptions seems most appropriate? Pick the one that seems to be related to one of the variables at hand. Please respond with only one of the following potential descriptions: A scene from Skyrim Cute 2D animation Cubism Cyber folk Psychedelic
ChatGPT: Cute 2D animation

Model: gpt-3.5-turbo-1106
System prompt: You describe simple visual scenes that depict the two variables stated. You combine both variables into one scene.
User prompt: Please describe a visual scene that prominently depicts both GMO use in cotton in Alabama and The number of photographers in Alabama, in the following situation: Because GMO cotton in Alabama is now resistant to insect damage, it has led to a surplus of cotton balls, which photographers use as props for their classic "cotton field" portraits. As a result, the demand for photographers in Alabama has skyrocketed, turning every cotton field into a photo studio hot spot. #GMOGoneWild #CottonCraze. Keep the description simple.
ChatGPT: In a bustling cotton field in Alabama, a group of photographers is capturing stunning portraits amidst the sea of white cotton plants. As the photographers artfully position their subjects, the genetically modified cotton plants stand tall and healthy, untouched by insects thanks to their resistance. The surplus of cotton balls provides the perfect backdrop for the photographers, who are in high demand in this new cotton field hot spot.

Model: gpt-3.5-turbo-1106
System prompt: You write and improve image generation prompts for DALLE-3. You maintain the same subjects, but enhance the visuals.
User prompt: Please respond with an image generation prompt that would be likely to create an interesting visual using DALLE-3, using the following style: [ Cute 2D animation ] and depicting this scene: In a bustling cotton field in Alabama, a group of photographers is capturing stunning portraits amidst the sea of white cotton plants. As the photographers artfully position their subjects, the genetically modified cotton plants stand tall and healthy, untouched by insects thanks to their resistance. The surplus of cotton balls provides the perfect backdrop for the photographers, who are in high demand in this new cotton field hot spot. Keep the visual depiction simple. Do not include any words or speech bubbles.
ChatGPT: [ Cute 2D animation ] Create an image of a group of adorable cartoon photographers happily taking photos in a vibrant cotton field. The cotton plants should appear lush and healthy, standing tall and proud, with a sea of white cotton balls in the background. The photographers should be positioned in various charming poses, showcasing their enthusiasm and expertise as they capture stunning portraits amidst the bustling field of genetically modified cotton plants. The scene should radiate a sense of joy and creativity, with each photographer fervently at work in this exciting cotton field hot spot.

*Variations in the User Prompts from chart to chart are just the result of random number generation in Python. I wrote a few arrays of various styles and methods to ask questions to change up the results. Every time this site writes an explanation or generates an image, the script picks from each at random.

I sequence the requests into multiple prompts because I find GPT 3.5 to perform much better with short, well-managed contexts. Thus, I track the context directly in Python and only ask ChatGPT targeted questions.

Model: gpt-3.5-turbo-1106 (fine-tuned)
System prompt: You provide humorous responses in the form of plausible sounding explanations for correlations. You assume the correlation is causative for the purpose of the explanation even if it is ridiculous. You do not chat with the user, you only reply with the causal connection explanation and nothing else.
User prompt: Please make up a funny explanation for how a decrease in GMO use in cotton in Alabama caused The number of photographers in Alabama to decrease.

AI academic paper

(Because p < 0.01)
Cotton's GMO Foes and Togs of Prose: A Correlational Study of Alabama

Journal of Agrarian Genetics and Southern Rhetoric

Jan 2024

Reminder: This paper is AI-generated. Not real!
Quick note: This sequence is long and repetitive. That's how the prompt engineering works for this one. I manage the output in Python to format it into this PDF.




Model: gpt-3.5-turbo-1106
System prompt: You are a witty academic researcher. Your writing sounds like it belongs in a statistics journal.You write titles and abstracts of goofy academic research papers.
User prompt:
Pretend you are an academic researcher. Your writing sounds like it belongs in a medical or economics journal. However, you frequently crack jokes, make puns, and add unexpected twists in your writing.

Please draft the title and abstract of an academic research paper presenting the findings of the connection between GMO use in cotton in Alabama and The number of photographers in Alabama. Make it seem dry like academic research paper, but with lots of subtle hidden offhand remarks, jokes, goofy observations, and puns.

Rhyme words in the title.

Your research team used data from USDA and Bureau of Larbor Statistics to assess this nagging question. You found a correlation coefficient of 0.9050751 and p < 0.01 for 2005 to 2022.

Please respond in this format (replace "Lorem ipsum dolor sit" with your title and abstract)

[[TITLE]]
Lorem ipsum dolor sit

[[ABSTRACT]]
Lorem ipsum dolor sit



ChatGPT:
[[TITLE]]
Cotton's GMO Foes and Togs of Prose: A Correlational Study of Alabama

[[ABSTRACT]]
This study presents a thorough investigation into the curious link between the use of genetically modified organism (GMO) cotton in Alabama and the number of photographers in the state, aiming to shed light on the potential influence of agricultural practices on artistic pursuits. Leveraging data from the USDA and Bureau of Labor Statistics for the period 2005 to 2022, a correlation coefficient of 0.9050751 and a statistically significant p-value of less than 0.01 were observed, underscoring the surprising connection between biotechnology in cotton production and the proliferation of photography in Alabama. The implications of these findings are far-reaching and warrant further examination, as the connection between GMO cotton cultivation and photographic endeavors may unveil the interplay of creativity and agriculture in unexpected ways.


Model: gpt-3.5-turbo-1106
System prompt: You are a witty academic researcher. Your writing sounds like it belongs in a statistics journal.You draft the introduction section of an academic research paper.
User prompt:
Pretend you are an academic researcher. Your writing sounds like it belongs in a medical or economics journal. However, you frequently crack jokes, make puns, or add unexpected twists in your writing.

Please make up the introduction section of an academic research paper presenting the findings of the connection between GMO use in cotton in Alabama and The number of photographers in Alabama. Make it seem dry like academic research paper, but with lots of subtle hidden offhand remarks, jokes, goofy observations, and puns. Sneak in some jokes and clever puns about science, research, statistics, and the variables.

Here is the title and abstract of the paper:
[[TITLE]]
Cotton's GMO Foes and Togs of Prose: A Correlational Study of Alabama

[[ABSTRACT]]
This study presents a thorough investigation into the curious link between the use of genetically modified organism (GMO) cotton in Alabama and the number of photographers in the state, aiming to shed light on the potential influence of agricultural practices on artistic pursuits. Leveraging data from the USDA and Bureau of Labor Statistics for the period 2005 to 2022, a correlation coefficient of 0.9050751 and a statistically significant p-value of less than 0.01 were observed, underscoring the surprising connection between biotechnology in cotton production and the proliferation of photography in Alabama. The implications of these findings are far-reaching and warrant further examination, as the connection between GMO cotton cultivation and photographic endeavors may unveil the interplay of creativity and agriculture in unexpected ways.

-------

Your response should start like this:

[[INTRODUCTION]]



ChatGPT:
[[INTRODUCTION]]

The intersection of agricultural biotechnology and artistic expression may seem an unlikely pairing at first glance. However, as the famous photographer Ansel Adams once said, "Agriculture is not crop production as popular belief holds - it's the production of food and fiber from the world's land and waters." The profound insight from Adams speaks to the broader influence of agricultural practices on the cultural and artistic landscape. In this study, we delve into the enigmatic relationship between the adoption of genetically modified organism (GMO) cotton in Alabama and the burgeoning community of photographers in the state. This investigation seeks to untangle the threads of innovation, creativity, and scientific advancements, embracing the challenge of unraveling the "cotton's GMO foes and togs of prose."

GMO technology has been the subject of much debate, with proponents lauding its potential to enhance crop yield and resilience, while detractors voice concerns about unintended consequences and biodiversity. In a similar vein, the art of photography has undergone its own evolution, from the days of cumbersome daguerreotypes to the digital age of Instagram filters and selfie sticks. Our study aims to bridge these seemingly disparate realms and explore the underlying connections that may unite them.

To embark on this scholarly quest, we combed through data from the United States Department of Agriculture (USDA) to capture the spatial and temporal patterns of GMO cotton cultivation in Alabama. Concurrently, we delved into the troves of the Bureau of Labor Statistics to meticulously chart the trajectories of professional photographers in the state. The marriage of agricultural data and labor statistics may seem curious, but as Carl Sagan famously asserted, "The significance of our lives and our fragile planet is then determined only by our own wisdom and courage." So, armed with statistical wisdom and courage, we ventured forth to uncover any hidden unity between these seemingly disparate variables.

The correlation coefficient of 0.9050751 that emerged from our rigorous analysis prompted incredulous double-takes, more commonly seen at a magic show than in statistical calculations. The statistically significant p-value of less than 0.01 solidified the unexpected relationship between the cultivation of GMO cotton and the flourishing cohort of photographers in Alabama. Such a robust statistical association cannot be brushed aside casually, but warrants a closer examination akin to scrutinizing every pixel in a high-resolution photograph.

These findings prompt us to reflect on the broader implications of this unlikely correlation. It beckons us to contemplate the intricate dance of creativity and innovation, where the art of capturing light through a lens somehow intertwines with the genetic manipulation of cotton plants. As we embark on this academic escapade, we invite you to join us in unpacking the mysterious bond between "cotton's GMO foes and togs of prose," where science meets art in the unlikeliest of waltzes.


Model: gpt-3.5-turbo-1106
System prompt: You are a witty academic researcher. Your writing sounds like it belongs in a statistics journal.You draft a literature review section of an academic research paper, that starts out dry for the first few sentences but then becomes hilarious and goofy.
User prompt:
Pretend you are an academic researcher. Your writing sounds like it belongs in a medical or economics journal. However, you frequently crack jokes, make puns, or add unexpected twists in your writing.

Please make up a literature review section of an academic research paper presenting the findings of the connection between GMO use in cotton in Alabama and The number of photographers in Alabama. Make it seem dry like academic research paper, but with lots of subtle hidden offhand remarks, jokes, goofy observations, and puns.

Speak in the present tense for this section (the authors find...), as is common in academic research paper literature reviews. Name the sources in a format similar to this: In "Book," the authors find lorem and ipsum.

Make up the lorem and ipsum part, but make it sound related to the topic at hand.

Start by naming serious-sounding studies by authors like Smith, Doe, and Jones - but then quickly devolve. Name some real non-fiction books that would be related to the topic. Then name some real fiction books that sound like they could be related. Then name some movies that you watched that are tangentially related to the topic.

Here is the title and abstract of the paper:
[[TITLE]]
Cotton's GMO Foes and Togs of Prose: A Correlational Study of Alabama

[[ABSTRACT]]
This study presents a thorough investigation into the curious link between the use of genetically modified organism (GMO) cotton in Alabama and the number of photographers in the state, aiming to shed light on the potential influence of agricultural practices on artistic pursuits. Leveraging data from the USDA and Bureau of Labor Statistics for the period 2005 to 2022, a correlation coefficient of 0.9050751 and a statistically significant p-value of less than 0.01 were observed, underscoring the surprising connection between biotechnology in cotton production and the proliferation of photography in Alabama. The implications of these findings are far-reaching and warrant further examination, as the connection between GMO cotton cultivation and photographic endeavors may unveil the interplay of creativity and agriculture in unexpected ways.

-------

And here is the introduction section that led to this literature review:
[[INTRODUCTION]]
The intersection of agricultural biotechnology and artistic expression may seem an unlikely pairing at first glance. However, as the famous photographer Ansel Adams once said, "Agriculture is not crop production as popular belief holds - it's the production of food and fiber from the world's land and waters." The profound insight from Adams speaks to the broader influence of agricultural practices on the cultural and artistic landscape. In this study, we delve into the enigmatic relationship between the adoption of genetically modified organism (GMO) cotton in Alabama and the burgeoning community of photographers in the state. This investigation seeks to untangle the threads of innovation, creativity, and scientific advancements, embracing the challenge of unraveling the "cotton's GMO foes and togs of prose."
GMO technology has been the subject of much debate, with proponents lauding its potential to enhance crop yield and resilience, while detractors voice concerns about unintended consequences and biodiversity. In a similar vein, the art of photography has undergone its own evolution, from the days of cumbersome daguerreotypes to the digital age of Instagram filters and selfie sticks. Our study aims to bridge these seemingly disparate realms and explore the underlying connections that may unite them.
To embark on this scholarly quest, we combed through data from the United States Department of Agriculture (USDA) to capture the spatial and temporal patterns of GMO cotton cultivation in Alabama. Concurrently, we delved into the troves of the Bureau of Labor Statistics to meticulously chart the trajectories of professional photographers in the state. The marriage of agricultural data and labor statistics may seem curious, but as Carl Sagan famously asserted, "The significance of our lives and our fragile planet is then determined only by our own wisdom and courage." So, armed with statistical wisdom and courage, we ventured forth to uncover any hidden unity between these seemingly disparate variables.
The correlation coefficient of 0.9050751 that emerged from our rigorous analysis prompted incredulous double-takes, more commonly seen at a magic show than in statistical calculations. The statistically significant p-value of less than 0.01 solidified the unexpected relationship between the cultivation of GMO cotton and the flourishing cohort of photographers in Alabama. Such a robust statistical association cannot be brushed aside casually, but warrants a closer examination akin to scrutinizing every pixel in a high-resolution photograph.
These findings prompt us to reflect on the broader implications of this unlikely correlation. It beckons us to contemplate the intricate dance of creativity and innovation, where the art of capturing light through a lens somehow intertwines with the genetic manipulation of cotton plants. As we embark on this academic escapade, we invite you to join us in unpacking the mysterious bond between "cotton's GMO foes and togs of prose," where science meets art in the unlikeliest of waltzes.

-------

Your response should start like this:

[[LITERATURE REVIEW]]



ChatGPT:
[[LITERATURE REVIEW]]

In "Smith et al.," the authors find that the adoption of genetically modified organism (GMO) cotton in agricultural practices has been a subject of substantial scholarly inquiry, sparking debates about its impact on crop yield, sustainability, and ecosystem dynamics. This technology has been hailed as a game-changer in the realm of agriculture, with proponents extolling its virtues of pest resistance and enhanced productivity. On the other hand, detractors have raised concerns about genetic biodiversity, unforeseen environmental consequences, and the potential for inadvertent cross-pollination with non-GMO crops. The nuanced discussion surrounding the adoption of GMO cotton sets the stage for our exploration of its unexpected association with the world of photography in Alabama.

Doe and Jones delve into the cultural and artistic evolution of the American South in their work "Cotton Tales and Shuttered Visions," tracing the historical trajectory of cotton cultivation and its resonance in the creative endeavors of the region. Their insightful analysis unveils the interwoven narrative of agrarian practices and visual expression, encapsulating the essence of the Deep South through the lens of cotton fields and the art they inspire. This evocative portrayal serves as a compelling backdrop for our study, inviting us to consider the intricate interplay of agriculture and artistry in Alabama.

Turning to the realm of non-fiction, "The Cotton Revolution" by Gene Dattel provides a comprehensive account of the cotton industry's transformative impact on the economy and culture of the Southern United States. Dattel's meticulous exploration of cotton's historical significance sets the stage for our investigation into the contemporary implications of GMO cotton cultivation and its surprising correlation with the proliferation of photographers in Alabama. Additionally, "The Photographer's Eye" by John Szarkowski offers a poignant reflection on the art of photography, presenting a thought-provoking perspective that enriches our understanding of the creative processes underlying the photographic medium.

In the realm of fiction, the literary world offers intriguing parallels to our study. The classic novel "The Picture of Dorian Gray" by Oscar Wilde invites contemplation of the intersections between art, perception, and societal influences. While seemingly divergent from the agricultural context of our research, Wilde's exploration of the visual arts serves as a whimsical divergence into the broader realms of visual expression and the human psyche. Similarly, "The Cotton Queen" by Pamela Morsi weaves a tale of love, ambition, and the cotton fields of Missouri, adding a touch of literary charm to our investigation.

On a more cinematic note, the film "Cotton Club" provides a cinematic rendition of the vibrant jazz culture of the 1920s, offering a rich tapestry of visual and auditory aesthetics. While set in a different era and context, the film's portrayal of artistic expression and cultural milieu resonates with our exploration of the unexpected correlation between GMO cotton cultivation and the proliferation of photographers in Alabama.

In synthesizing these diverse strands of literature and cultural representations, we embark on a scholarly odyssey to illuminate the enigmatic link between "cotton's GMO foes and togs of prose," endeavoring to unravel the unexpected entwining of agricultural biotechnology and artistic pursuits in the heart of Alabama.

This academic escapade seeks to infuse levity and curiosity into the hitherto staid discourse surrounding the correlation between agricultural practices and creative endeavors, promising a thought-provoking journey through the unlikeliest of statistical waltzes.


Model: gpt-3.5-turbo-1106
System prompt: You are a witty academic researcher. Your writing sounds like it belongs in a statistics journal.You draft the methodology section of an academic research paper.
User prompt:
Pretend you are an academic researcher. Your writing sounds like it belongs in a medical or economics journal. However, you frequently crack jokes, make puns, or add unexpected twists in your writing.

Please make up the methodology section of an academic research paper presenting the findings of the connection between GMO use in cotton in Alabama and The number of photographers in Alabama. Make it seem dry like academic research paper, but with lots of subtle hidden offhand remarks, jokes, goofy observations, and puns. Sneak in some jokes and clever puns about science, research, statistics, and the variables.

Your research team collected data from all across the internet, but mostly just used information from USDA and Bureau of Larbor Statistics . You used data from 2005 to 2022

Make up the research methods you don't know. Make them a bit goofy and convoluted.

Here is the title, abstract, and introduction of the paper:
[[TITLE]]
Cotton's GMO Foes and Togs of Prose: A Correlational Study of Alabama

[[ABSTRACT]]
This study presents a thorough investigation into the curious link between the use of genetically modified organism (GMO) cotton in Alabama and the number of photographers in the state, aiming to shed light on the potential influence of agricultural practices on artistic pursuits. Leveraging data from the USDA and Bureau of Labor Statistics for the period 2005 to 2022, a correlation coefficient of 0.9050751 and a statistically significant p-value of less than 0.01 were observed, underscoring the surprising connection between biotechnology in cotton production and the proliferation of photography in Alabama. The implications of these findings are far-reaching and warrant further examination, as the connection between GMO cotton cultivation and photographic endeavors may unveil the interplay of creativity and agriculture in unexpected ways.

[[INTRODUCTION]]
The intersection of agricultural biotechnology and artistic expression may seem an unlikely pairing at first glance. However, as the famous photographer Ansel Adams once said, "Agriculture is not crop production as popular belief holds - it's the production of food and fiber from the world's land and waters." The profound insight from Adams speaks to the broader influence of agricultural practices on the cultural and artistic landscape. In this study, we delve into the enigmatic relationship between the adoption of genetically modified organism (GMO) cotton in Alabama and the burgeoning community of photographers in the state. This investigation seeks to untangle the threads of innovation, creativity, and scientific advancements, embracing the challenge of unraveling the "cotton's GMO foes and togs of prose."
GMO technology has been the subject of much debate, with proponents lauding its potential to enhance crop yield and resilience, while detractors voice concerns about unintended consequences and biodiversity. In a similar vein, the art of photography has undergone its own evolution, from the days of cumbersome daguerreotypes to the digital age of Instagram filters and selfie sticks. Our study aims to bridge these seemingly disparate realms and explore the underlying connections that may unite them.
To embark on this scholarly quest, we combed through data from the United States Department of Agriculture (USDA) to capture the spatial and temporal patterns of GMO cotton cultivation in Alabama. Concurrently, we delved into the troves of the Bureau of Labor Statistics to meticulously chart the trajectories of professional photographers in the state. The marriage of agricultural data and labor statistics may seem curious, but as Carl Sagan famously asserted, "The significance of our lives and our fragile planet is then determined only by our own wisdom and courage." So, armed with statistical wisdom and courage, we ventured forth to uncover any hidden unity between these seemingly disparate variables.
The correlation coefficient of 0.9050751 that emerged from our rigorous analysis prompted incredulous double-takes, more commonly seen at a magic show than in statistical calculations. The statistically significant p-value of less than 0.01 solidified the unexpected relationship between the cultivation of GMO cotton and the flourishing cohort of photographers in Alabama. Such a robust statistical association cannot be brushed aside casually, but warrants a closer examination akin to scrutinizing every pixel in a high-resolution photograph.
These findings prompt us to reflect on the broader implications of this unlikely correlation. It beckons us to contemplate the intricate dance of creativity and innovation, where the art of capturing light through a lens somehow intertwines with the genetic manipulation of cotton plants. As we embark on this academic escapade, we invite you to join us in unpacking the mysterious bond between "cotton's GMO foes and togs of prose," where science meets art in the unlikeliest of waltzes.

-------

Your response should start like this:

[[METHODOLOGY]]



ChatGPT:

[[METHODOLOGY]]

In this section, we present the convoluted yet delightfully entertaining methods employed to scrutinize the perplexing correlation between the utilization of genetically modified organism (GMO) cotton in Alabama and the proliferation of photographers in the state. Our research, akin to a scientific detective novel, involved an intricate dance of data collection, statistical analysis, and a touch of whimsy.

To begin our quest, we scoured the labyrinthine expanses of the internet and ventured into the hallowed archives of the United States Department of Agriculture (USDA). With the nimbleness of a ninja, we deftly extracted data pertaining to the cultivation of GMO cotton in Alabama from the years 2005 to 2022. These data were akin to treasure maps, guiding us through the verdant landscapes of agricultural fields and biotechnological advancements. The USDA’s data repositories housed a trove of information, allowing us to construct a comprehensive timeline of GMO cotton adoption in the state, where each data point sparkled like a diamond in the statistical rough.

Simultaneously, we plunged into the labyrinth of the Bureau of Labor Statistics, where the labor force surveys and occupational employment statistics nestled like hidden treasures waiting to be discovered. With the determination of intrepid explorers, we meticulously tallied the number of photographers plying their trade in Alabama over the same temporal span. The Bureau’s data, akin to the artistic palette of a master painter, provided us with a nuanced portrait of the burgeoning community of photographers in the state, with each data point akin to a pixel in the grand mosaic of statistical art.

With these disparate datasets in hand, we performed a rousing tango of statistical analysis. Armed with our trusty statistical software, we calculated the correlation coefficient between the adoption of GMO cotton and the population of photographers in Alabama. The palpable tension in the air as the statistical software churned through the numbers was akin to the suspense of a thrilling whodunit, until, lo and behold, the correlation coefficient of 0.9050751 emerged as if it were the charismatic reveal of the mystery culprit. The statistically significant p-value of less than 0.01 served as the climactic twist in our statistical narrative, underscoring the undeniable connection between GMO cotton utilization and the proliferation of photographers in Alabama.

This methodology, with its blend of data spelunking, statistical prowess, and hints of whimsy, provided us with the framework to unravel the enigmatic bond between "cotton's GMO foes and togs of prose," as science and art engage in a lively pas de deux across the canvas of statistical inquiry.


Model: gpt-3.5-turbo-1106
System prompt: You are a witty academic researcher. Your writing sounds like it belongs in a statistics journal.You draft the results section of an academic research paper. You speak in the past tense (you found...).
User prompt:
Pretend you are an academic researcher. Your writing sounds like it belongs in a medical or economics journal. However, you frequently crack jokes, make puns, or add unexpected twists in your writing.

Please make up the results section of an academic research paper presenting the findings of the connection between GMO use in cotton in Alabama and The number of photographers in Alabama. Make it seem dry like academic research paper, but with lots of subtle hidden offhand remarks, jokes, goofy observations, and puns. Sneak in some jokes and clever puns about science, research, statistics, and the variables.

Your research team collected data from all across the internet, but mostly just used information from USDA and Bureau of Larbor Statistics .

For the time period 2005 to 2022, you found a correlation 0.9050751, r-squared of 0.8191610, and p < 0.01.

One figure will be included. The figure (Fig. 1) is a scatterplot showing the strong correlation between the two variables. You don't need to specify where; I will add the figure.

Here is the title and abstract of the paper:
[[TITLE]]
Cotton's GMO Foes and Togs of Prose: A Correlational Study of Alabama

[[ABSTRACT]]
This study presents a thorough investigation into the curious link between the use of genetically modified organism (GMO) cotton in Alabama and the number of photographers in the state, aiming to shed light on the potential influence of agricultural practices on artistic pursuits. Leveraging data from the USDA and Bureau of Labor Statistics for the period 2005 to 2022, a correlation coefficient of 0.9050751 and a statistically significant p-value of less than 0.01 were observed, underscoring the surprising connection between biotechnology in cotton production and the proliferation of photography in Alabama. The implications of these findings are far-reaching and warrant further examination, as the connection between GMO cotton cultivation and photographic endeavors may unveil the interplay of creativity and agriculture in unexpected ways.

-------

And here is the methodology section that led to this result:
[[METHODOLOGY]]
The intersection of agricultural biotechnology and artistic expression may seem an unlikely pairing at first glance. However, as the famous photographer Ansel Adams once said, "Agriculture is not crop production as popular belief holds - it's the production of food and fiber from the world's land and waters." The profound insight from Adams speaks to the broader influence of agricultural practices on the cultural and artistic landscape. In this study, we delve into the enigmatic relationship between the adoption of genetically modified organism (GMO) cotton in Alabama and the burgeoning community of photographers in the state. This investigation seeks to untangle the threads of innovation, creativity, and scientific advancements, embracing the challenge of unraveling the "cotton's GMO foes and togs of prose."
GMO technology has been the subject of much debate, with proponents lauding its potential to enhance crop yield and resilience, while detractors voice concerns about unintended consequences and biodiversity. In a similar vein, the art of photography has undergone its own evolution, from the days of cumbersome daguerreotypes to the digital age of Instagram filters and selfie sticks. Our study aims to bridge these seemingly disparate realms and explore the underlying connections that may unite them.
To embark on this scholarly quest, we combed through data from the United States Department of Agriculture (USDA) to capture the spatial and temporal patterns of GMO cotton cultivation in Alabama. Concurrently, we delved into the troves of the Bureau of Labor Statistics to meticulously chart the trajectories of professional photographers in the state. The marriage of agricultural data and labor statistics may seem curious, but as Carl Sagan famously asserted, "The significance of our lives and our fragile planet is then determined only by our own wisdom and courage." So, armed with statistical wisdom and courage, we ventured forth to uncover any hidden unity between these seemingly disparate variables.
The correlation coefficient of 0.9050751 that emerged from our rigorous analysis prompted incredulous double-takes, more commonly seen at a magic show than in statistical calculations. The statistically significant p-value of less than 0.01 solidified the unexpected relationship between the cultivation of GMO cotton and the flourishing cohort of photographers in Alabama. Such a robust statistical association cannot be brushed aside casually, but warrants a closer examination akin to scrutinizing every pixel in a high-resolution photograph.
These findings prompt us to reflect on the broader implications of this unlikely correlation. It beckons us to contemplate the intricate dance of creativity and innovation, where the art of capturing light through a lens somehow intertwines with the genetic manipulation of cotton plants. As we embark on this academic escapade, we invite you to join us in unpacking the mysterious bond between "cotton's GMO foes and togs of prose," where science meets art in the unlikeliest of waltzes.

-------

Your response should start like this:

[[RESULTS]]



ChatGPT:

[[RESULTS]]

Upon conducting our analysis, we uncovered a striking correlation between the use of genetically modified organism (GMO) cotton in Alabama and the number of photographers in the state from 2005 to 2022. The Pearson correlation coefficient of 0.9050751 demonstrated a remarkably strong positive relationship between these seemingly unrelated variables. It seems that while DNA may be the code of life, it may also be the secret ingredient in cultivating a picturesque environment for photographers.

The coefficient of determination (r-squared) of 0.8191610 indicated that approximately 81.9% of the variation in the number of photographers in Alabama can be explained by the use of GMO cotton. It appears that this enigmatic link has a high explanatory power, much like a well-composed photograph that tells a compelling visual story.

Furthermore, the p-value of less than 0.01 underscored the statistical significance of this correlation, firmly rejecting the null hypothesis that there is no association between GMO cotton use and the number of photographers in Alabama. It seems that this unexpected correlation is not just a mere snapshot of coincidence, but rather a carefully composed portrait of two seemingly unrelated phenomena.

The robustness of this correlation is visually depicted in Figure 1, where the scatterplot highlights the strong positive relationship between the use of GMO cotton and the proliferation of photographers in Alabama. This association is not just a coincidental snapshot but rather a carefully framed artistic endeavor, capturing the unexpected harmony between biotechnology and creative pursuits.

In light of these findings, it becomes clear that there is more to the cotton fields of Alabama than meets the eye. The intertwined relationship between GMO cotton cultivation and the community of photographers may be painting a larger canvas of scientific and artistic collaboration, where the lens of innovation is focused not only on genetic engineering but also on capturing the essence of the cotton fields in captivating frames.

In conclusion, our findings illuminate a compelling correlation between GMO cotton use and the number of photographers in Alabama, reflecting an intricate fusion of agro-science and artistic endeavors. This unexpected association challenges us to embrace a broader perspective, where the symphony of GMO foes and togs of prose harmonizes in the unlikeliest of crescendos.


Model: gpt-3.5-turbo-1106
System prompt: You are a witty academic researcher. Your writing sounds like it belongs in a statistics journal.You draft the discussion section of an academic research paper.
User prompt:
Pretend you are an academic researcher. Your writing sounds like it belongs in a medical or economics journal. However, you frequently crack jokes, make puns, or add unexpected twists in your writing.

Please make up the discussion section of an academic research paper presenting the findings of the connection between GMO use in cotton in Alabama and The number of photographers in Alabama. Make it seem dry like academic research paper, but with lots of subtle hidden offhand remarks, jokes, goofy observations, and puns. Sneak in some jokes and clever puns about science, research, statistics, and the variables.

Limit your response to 500 tokens.

Here are the title, abstract, literature review, and results sections. Please harken back to 1-2 of the goofy items in the literature review, but pretend to take them completely seriously. Discuss how your results supported the prior research.

Do not write a conclusion. I will add a conclusion after this.

[[TITLE]]
Cotton's GMO Foes and Togs of Prose: A Correlational Study of Alabama

[[ABSTRACT]]
This study presents a thorough investigation into the curious link between the use of genetically modified organism (GMO) cotton in Alabama and the number of photographers in the state, aiming to shed light on the potential influence of agricultural practices on artistic pursuits. Leveraging data from the USDA and Bureau of Labor Statistics for the period 2005 to 2022, a correlation coefficient of 0.9050751 and a statistically significant p-value of less than 0.01 were observed, underscoring the surprising connection between biotechnology in cotton production and the proliferation of photography in Alabama. The implications of these findings are far-reaching and warrant further examination, as the connection between GMO cotton cultivation and photographic endeavors may unveil the interplay of creativity and agriculture in unexpected ways.

[[LITERATURE REVIEW]]
In "Smith et al.," the authors find that the adoption of genetically modified organism (GMO) cotton in agricultural practices has been a subject of substantial scholarly inquiry, sparking debates about its impact on crop yield, sustainability, and ecosystem dynamics. This technology has been hailed as a game-changer in the realm of agriculture, with proponents extolling its virtues of pest resistance and enhanced productivity. On the other hand, detractors have raised concerns about genetic biodiversity, unforeseen environmental consequences, and the potential for inadvertent cross-pollination with non-GMO crops. The nuanced discussion surrounding the adoption of GMO cotton sets the stage for our exploration of its unexpected association with the world of photography in Alabama.
Doe and Jones delve into the cultural and artistic evolution of the American South in their work "Cotton Tales and Shuttered Visions," tracing the historical trajectory of cotton cultivation and its resonance in the creative endeavors of the region. Their insightful analysis unveils the interwoven narrative of agrarian practices and visual expression, encapsulating the essence of the Deep South through the lens of cotton fields and the art they inspire. This evocative portrayal serves as a compelling backdrop for our study, inviting us to consider the intricate interplay of agriculture and artistry in Alabama.
Turning to the realm of non-fiction, "The Cotton Revolution" by Gene Dattel provides a comprehensive account of the cotton industry's transformative impact on the economy and culture of the Southern United States. Dattel's meticulous exploration of cotton's historical significance sets the stage for our investigation into the contemporary implications of GMO cotton cultivation and its surprising correlation with the proliferation of photographers in Alabama. Additionally, "The Photographer's Eye" by John Szarkowski offers a poignant reflection on the art of photography, presenting a thought-provoking perspective that enriches our understanding of the creative processes underlying the photographic medium.
In the realm of fiction, the literary world offers intriguing parallels to our study. The classic novel "The Picture of Dorian Gray" by Oscar Wilde invites contemplation of the intersections between art, perception, and societal influences. While seemingly divergent from the agricultural context of our research, Wilde's exploration of the visual arts serves as a whimsical divergence into the broader realms of visual expression and the human psyche. Similarly, "The Cotton Queen" by Pamela Morsi weaves a tale of love, ambition, and the cotton fields of Missouri, adding a touch of literary charm to our investigation.
On a more cinematic note, the film "Cotton Club" provides a cinematic rendition of the vibrant jazz culture of the 1920s, offering a rich tapestry of visual and auditory aesthetics. While set in a different era and context, the film's portrayal of artistic expression and cultural milieu resonates with our exploration of the unexpected correlation between GMO cotton cultivation and the proliferation of photographers in Alabama.
In synthesizing these diverse strands of literature and cultural representations, we embark on a scholarly odyssey to illuminate the enigmatic link between "cotton's GMO foes and togs of prose," endeavoring to unravel the unexpected entwining of agricultural biotechnology and artistic pursuits in the heart of Alabama.
This academic escapade seeks to infuse levity and curiosity into the hitherto staid discourse surrounding the correlation between agricultural practices and creative endeavors, promising a thought-provoking journey through the unlikeliest of statistical waltzes.

[[RESULTS]]
Upon conducting our analysis, we uncovered a striking correlation between the use of genetically modified organism (GMO) cotton in Alabama and the number of photographers in the state from 2005 to 2022. The Pearson correlation coefficient of 0.9050751 demonstrated a remarkably strong positive relationship between these seemingly unrelated variables. It seems that while DNA may be the code of life, it may also be the secret ingredient in cultivating a picturesque environment for photographers.
The coefficient of determination (r-squared) of 0.8191610 indicated that approximately 81.9% of the variation in the number of photographers in Alabama can be explained by the use of GMO cotton. It appears that this enigmatic link has a high explanatory power, much like a well-composed photograph that tells a compelling visual story.
Furthermore, the p-value of less than 0.01 underscored the statistical significance of this correlation, firmly rejecting the null hypothesis that there is no association between GMO cotton use and the number of photographers in Alabama. It seems that this unexpected correlation is not just a mere snapshot of coincidence, but rather a carefully composed portrait of two seemingly unrelated phenomena.
The robustness of this correlation is visually depicted in Figure 1, where the scatterplot highlights the strong positive relationship between the use of GMO cotton and the proliferation of photographers in Alabama. This association is not just a coincidental snapshot but rather a carefully framed artistic endeavor, capturing the unexpected harmony between biotechnology and creative pursuits.
In light of these findings, it becomes clear that there is more to the cotton fields of Alabama than meets the eye. The intertwined relationship between GMO cotton cultivation and the community of photographers may be painting a larger canvas of scientific and artistic collaboration, where the lens of innovation is focused not only on genetic engineering but also on capturing the essence of the cotton fields in captivating frames.
In conclusion, our findings illuminate a compelling correlation between GMO cotton use and the number of photographers in Alabama, reflecting an intricate fusion of agro-science and artistic endeavors. This unexpected association challenges us to embrace a broader perspective, where the symphony of GMO foes and togs of prose harmonizes in the unlikeliest of crescendos.

-------

Your response should start like this:

[[DISCUSSION]]



ChatGPT:

[[DISCUSSION]]

The results of our study confirm and extend prior research, offering compelling evidence of the unexpected correlation between GMO cotton use in Alabama and the number of photographers in the state. Building upon the work of Smith et al., which focused primarily on the agricultural and ecological implications of GMO cotton, our findings delve into an uncharted realm, demonstrating the interconnectedness of agricultural practices and artistic pursuits. As the cotton fields of Alabama continue to serve as a muse for photographers, our study underscores the need to broaden the lens through which the impact of biotechnology is perceived.

Doe and Jones' exploration of the cultural and artistic significance of cotton in the American South receives new dimensions with our revelation of the striking correlation between GMO cotton and the proliferation of photographers. This unexpected association adds a layer of complexity to the historical resonance of cotton cultivation in visual expression, shedding light on the evolving narrative of the region. It appears that the genetic intricacies of GMO cotton weave an unforeseen tapestry, inviting photographers to capture the essence of agriculture in their frames.

Furthermore, Gene Dattel's comprehensive account of the cotton industry's influence provides a poignant backdrop for our findings, as the contemporary implications of GMO cotton cultivation emerge as a testament to the enduring relationship between agriculture and creative expression. Just as Dattel meticulously traces the economic and cultural impacts of cotton, our study uncovers a parallel narrative, where the adoption of biotechnology intertwines with the visual storytelling of photographers, shaping a dynamic tableau of scientific and artistic coalescence.

While seemingly divergent from the agricultural context, the literary and cinematic parallels presented in our literature review take on a tongue-in-cheek seriousness in light of our results. Oscar Wilde's exploration of art, perception, and societal influences in "The Picture of Dorian Gray" gains an unexpected resonance as we contemplate the interplay of GMO cotton and the visual arts. Similarly, the eclectic visual and auditory aesthetics of the film "Cotton Club" take on a new dimension, mirroring the unexpected harmony between biotechnology and visual storytelling that our study unveils.

In the realm of statistical waltzes, our study pirouettes into uncharted territory, presenting a compelling dance of correlation and significance between GMO cotton use and the photographers of Alabama. This enigmatic link, much like a well-composed photograph, captures the essence of two seemingly unrelated phenomena and invites further exploration into the unexplored terrain where science and creativity converge.

The robustness of our findings not only challenges conventional wisdom but also sheds light on the multifaceted influences that permeate our environment. As we peer through the lens of statistical analysis, the intersection of GMO foes and togs of prose reveals a symbiotic relationship that transcends disciplinary boundaries, providing an unexpected snapshot of the scientific and artistic symbiosis in the heart of Alabama.


Model: gpt-3.5-turbo-1106
System prompt: You are a witty academic researcher. Your writing sounds like it belongs in a statistics journal.You draft the discussion section of goofy academic research papers that sounds like it belongs based on the title and abstract provided.
User prompt:
Pretend you are an academic researcher. Your writing sounds like it belongs in a medical or economics journal. However, you frequently crack jokes, make puns, or add unexpected twists in your writing.

Please make up a short conclusion of an academic research paper presenting the findings of the connection between GMO use in cotton in Alabama and The number of photographers in Alabama. Make it seem dry like academic research paper, but with lots of subtle hidden offhand remarks, jokes, goofy observations, and puns. Sneak in some jokes and clever puns about science, research, statistics, and the variables.

Limit your response to 300 tokens. At the very end, assert that no more research is needed in this area.

Here are the title, abstract, introduction, and results sections.
[[TITLE]]
Cotton's GMO Foes and Togs of Prose: A Correlational Study of Alabama

[[ABSTRACT]]
This study presents a thorough investigation into the curious link between the use of genetically modified organism (GMO) cotton in Alabama and the number of photographers in the state, aiming to shed light on the potential influence of agricultural practices on artistic pursuits. Leveraging data from the USDA and Bureau of Labor Statistics for the period 2005 to 2022, a correlation coefficient of 0.9050751 and a statistically significant p-value of less than 0.01 were observed, underscoring the surprising connection between biotechnology in cotton production and the proliferation of photography in Alabama. The implications of these findings are far-reaching and warrant further examination, as the connection between GMO cotton cultivation and photographic endeavors may unveil the interplay of creativity and agriculture in unexpected ways.

[[INTRDUCTION]]
The intersection of agricultural biotechnology and artistic expression may seem an unlikely pairing at first glance. However, as the famous photographer Ansel Adams once said, "Agriculture is not crop production as popular belief holds - it's the production of food and fiber from the world's land and waters." The profound insight from Adams speaks to the broader influence of agricultural practices on the cultural and artistic landscape. In this study, we delve into the enigmatic relationship between the adoption of genetically modified organism (GMO) cotton in Alabama and the burgeoning community of photographers in the state. This investigation seeks to untangle the threads of innovation, creativity, and scientific advancements, embracing the challenge of unraveling the "cotton's GMO foes and togs of prose."
GMO technology has been the subject of much debate, with proponents lauding its potential to enhance crop yield and resilience, while detractors voice concerns about unintended consequences and biodiversity. In a similar vein, the art of photography has undergone its own evolution, from the days of cumbersome daguerreotypes to the digital age of Instagram filters and selfie sticks. Our study aims to bridge these seemingly disparate realms and explore the underlying connections that may unite them.
To embark on this scholarly quest, we combed through data from the United States Department of Agriculture (USDA) to capture the spatial and temporal patterns of GMO cotton cultivation in Alabama. Concurrently, we delved into the troves of the Bureau of Labor Statistics to meticulously chart the trajectories of professional photographers in the state. The marriage of agricultural data and labor statistics may seem curious, but as Carl Sagan famously asserted, "The significance of our lives and our fragile planet is then determined only by our own wisdom and courage." So, armed with statistical wisdom and courage, we ventured forth to uncover any hidden unity between these seemingly disparate variables.
The correlation coefficient of 0.9050751 that emerged from our rigorous analysis prompted incredulous double-takes, more commonly seen at a magic show than in statistical calculations. The statistically significant p-value of less than 0.01 solidified the unexpected relationship between the cultivation of GMO cotton and the flourishing cohort of photographers in Alabama. Such a robust statistical association cannot be brushed aside casually, but warrants a closer examination akin to scrutinizing every pixel in a high-resolution photograph.
These findings prompt us to reflect on the broader implications of this unlikely correlation. It beckons us to contemplate the intricate dance of creativity and innovation, where the art of capturing light through a lens somehow intertwines with the genetic manipulation of cotton plants. As we embark on this academic escapade, we invite you to join us in unpacking the mysterious bond between "cotton's GMO foes and togs of prose," where science meets art in the unlikeliest of waltzes.

[[RESULTS]]
Upon conducting our analysis, we uncovered a striking correlation between the use of genetically modified organism (GMO) cotton in Alabama and the number of photographers in the state from 2005 to 2022. The Pearson correlation coefficient of 0.9050751 demonstrated a remarkably strong positive relationship between these seemingly unrelated variables. It seems that while DNA may be the code of life, it may also be the secret ingredient in cultivating a picturesque environment for photographers.
The coefficient of determination (r-squared) of 0.8191610 indicated that approximately 81.9% of the variation in the number of photographers in Alabama can be explained by the use of GMO cotton. It appears that this enigmatic link has a high explanatory power, much like a well-composed photograph that tells a compelling visual story.
Furthermore, the p-value of less than 0.01 underscored the statistical significance of this correlation, firmly rejecting the null hypothesis that there is no association between GMO cotton use and the number of photographers in Alabama. It seems that this unexpected correlation is not just a mere snapshot of coincidence, but rather a carefully composed portrait of two seemingly unrelated phenomena.
The robustness of this correlation is visually depicted in Figure 1, where the scatterplot highlights the strong positive relationship between the use of GMO cotton and the proliferation of photographers in Alabama. This association is not just a coincidental snapshot but rather a carefully framed artistic endeavor, capturing the unexpected harmony between biotechnology and creative pursuits.
In light of these findings, it becomes clear that there is more to the cotton fields of Alabama than meets the eye. The intertwined relationship between GMO cotton cultivation and the community of photographers may be painting a larger canvas of scientific and artistic collaboration, where the lens of innovation is focused not only on genetic engineering but also on capturing the essence of the cotton fields in captivating frames.
In conclusion, our findings illuminate a compelling correlation between GMO cotton use and the number of photographers in Alabama, reflecting an intricate fusion of agro-science and artistic endeavors. This unexpected association challenges us to embrace a broader perspective, where the symphony of GMO foes and togs of prose harmonizes in the unlikeliest of crescendos.

-------

Your response should start like this:

[[CONCLUSION]]



ChatGPT:

[[CONCLUSION]]

In closing, the results of our investigation unveil a captivating correlation between the cultivation of genetically modified organism (GMO) cotton in Alabama and the burgeoning community of photographers in the state. This unexpected linkage underscores the intricate interplay of agricultural innovation and artistic expression, painting a canvas of scientific and aesthetic harmony. As we contemplate the implications of this newfound association, one cannot help but marvel at the unseen threads that weave together the fields of biotechnology and the lens of creativity. It appears that in the vivid tapestry of agricultural landscapes, every pixel of genetic modification may hold the potential to shape the visual narratives captured by discerning photographers.

The robust correlation coefficient of 0.9050751 and the statistically significant p-value of less than 0.01 are not merely statistical artifacts but rather nuanced brushstrokes in the masterpiece of scientific inquiry. It seems that the elegant dance of GMO foes and togs of prose holds the promise of unraveling mysteries that transcend the boundaries of traditional disciplinary domains. The whimsical symphony of variables, akin to an unforeseen double exposure in photography, beckons us to peer through the lens of curiosity and embrace the enigmatic connections that underpin the fabric of our endeavors.

As we conclude our scholarly foray into the world of cotton's GMO foes and togs of prose, it becomes abundantly clear that this unexpected correlation invites further exploration. However, it is also evident that delving deeper into this phenomena may unravel more mysteries than we are prepared to capture. Therefore, we boldly assert that no further research is needed in this perplexing juxtaposition of GMO cotton and the abundance of photographers in Alabama. Sometimes, in the realm of statistical serendipity, it is wiser to leave a peculiar correlation to develop its own exposure.


Model: gpt-3.5-turbo-1106
System prompt: You provide fictional names of academic journals. You say nothing else, and you do not chat with the user.
User prompt: Please provide the name of a funny but plausible sounding research, scientific, or academic journal that would publish a paper entited Cotton's GMO Foes and Togs of Prose: A Correlational Study of Alabama. Respond only with the name of a fictional academic journal.

ChatGPT:

Journal of Agrarian Genetics and Southern Rhetoric


Model: gpt-3.5-turbo-1106
System prompt: You provide fictional names of nonprofit research organizations and associations. You say nothing else, and you do not chat with the user.
User prompt: Please provide the name of a funny but plausible sounding nonprofit, academic, or scientific association or organization that would sponsor research that resulted in a paper entited Cotton's GMO Foes and Togs of Prose: A Correlational Study of Alabama. Respond only with the name of a fictional organization.

ChatGPT:

The Institute for Genetically Modified Crop Advocacy and Literary Analysis


Model: gpt-3.5-turbo-1106
System prompt: You provide potential search keywords separated by commas. You say nothing else, and you do not chat with the user.
User prompt: Please provide potential search keywords for a paper titled Cotton's GMO Foes and Togs of Prose: A Correlational Study of Alabama with an abstract of This study presents a thorough investigation into the curious link between the use of genetically modified organism (GMO) cotton in Alabama and the number of photographers in the state, aiming to shed light on the potential influence of agricultural practices on artistic pursuits. Leveraging data from the USDA and Bureau of Labor Statistics for the period 2005 to 2022, a correlation coefficient of 0.9050751 and a statistically significant p-value of less than 0.01 were observed, underscoring the surprising connection between biotechnology in cotton production and the proliferation of photography in Alabama. The implications of these findings are far-reaching and warrant further examination, as the connection between GMO cotton cultivation and photographic endeavors may unveil the interplay of creativity and agriculture in unexpected ways.

ChatGPT:

GMO cotton Alabama, genetically modified organism cotton photography correlation, agriculture impact on art, cotton cultivation and photographers, influence of biotechnology on artistic pursuits, USDA data photography correlation, Bureau of Labor Statistics agricultural practices, GMO cotton production artistic endeavors, correlation between agriculture and creative pursuits

*There is a bunch of Python happening behind the scenes to turn this prompt sequence into a PDF.



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Data details

GMO use in cotton in Alabama
Detailed data title: Percent of cotton planted in Alabama that is genetically modified to be insect-resistant (Bt), but not herbicide-tolerant (HT)
Source: USDA
See what else correlates with GMO use in cotton in Alabama

The number of photographers in Alabama
Detailed data title: BLS estimate of photographers in Alabama
Source: Bureau of Larbor Statistics
See what else correlates with The number of photographers in Alabama

Correlation r = 0.9050751 (Pearson correlation coefficient)
Correlation is a measure of how much the variables move together. If it is 0.99, when one goes up the other goes up. If it is 0.02, the connection is very weak or non-existent. If it is -0.99, then when one goes up the other goes down. If it is 1.00, you probably messed up your correlation function.

r2 = 0.8191610 (Coefficient of determination)
This means 81.9% of the change in the one variable (i.e., The number of photographers in Alabama) is predictable based on the change in the other (i.e., GMO use in cotton in Alabama) over the 18 years from 2005 through 2022.

p < 0.01, which is statistically significant(Null hypothesis significance test)
The p-value is 2.5E-7. 0.0000002452229332240136000000
The p-value is a measure of how probable it is that we would randomly find a result this extreme. More specifically the p-value is a measure of how probable it is that we would randomly find a result this extreme if we had only tested one pair of variables one time.

But I am a p-villain. I absolutely did not test only one pair of variables one time. I correlated hundreds of millions of pairs of variables. I threw boatloads of data into an industrial-sized blender to find this correlation.

Who is going to stop me? p-value reporting doesn't require me to report how many calculations I had to go through in order to find a low p-value!
On average, you will find a correaltion as strong as 0.91 in 2.5E-5% of random cases. Said differently, if you correlated 4,077,922 random variables You don't actually need 4 million variables to find a correlation like this one. I don't have that many variables in my database. You can also correlate variables that are not independent. I do this a lot.

p-value calculations are useful for understanding the probability of a result happening by chance. They are most useful when used to highlight the risk of a fluke outcome. For example, if you calculate a p-value of 0.30, the risk that the result is a fluke is high. It is good to know that! But there are lots of ways to get a p-value of less than 0.01, as evidenced by this project.

In this particular case, the values are so extreme as to be meaningless. That's why no one reports p-values with specificity after they drop below 0.01.

Just to be clear: I'm being completely transparent about the calculations. There is no math trickery. This is just how statistics shakes out when you calculate hundreds of millions of random correlations.
with the same 17 degrees of freedom, Degrees of freedom is a measure of how many free components we are testing. In this case it is 17 because we have two variables measured over a period of 18 years. It's just the number of years minus ( the number of variables minus one ), which in this case simplifies to the number of years minus one.
you would randomly expect to find a correlation as strong as this one.

[ 0.76, 0.96 ] 95% correlation confidence interval (using the Fisher z-transformation)
The confidence interval is an estimate the range of the value of the correlation coefficient, using the correlation itself as an input. The values are meant to be the low and high end of the correlation coefficient with 95% confidence.

This one is a bit more complciated than the other calculations, but I include it because many people have been pushing for confidence intervals instead of p-value calculations (for example: NEJM. However, if you are dredging data, you can reliably find yourself in the 5%. That's my goal!


All values for the years included above: If I were being very sneaky, I could trim years from the beginning or end of the datasets to increase the correlation on some pairs of variables. I don't do that because there are already plenty of correlations in my database without monkeying with the years.

Still, sometimes one of the variables has more years of data available than the other. This page only shows the overlapping years. To see all the years, click on "See what else correlates with..." link above.
200520062007200820092010201120122013201420152016201720182019202020212022
GMO use in cotton in Alabama (GMO cotton %)101010181311181712946212413
The number of photographers in Alabama (Photographers)730690820820820830890790710570550470480480420380360470




Why this works

  1. Data dredging: I have 25,153 variables in my database. I compare all these variables against each other to find ones that randomly match up. That's 632,673,409 correlation calculations! This is called “data dredging.” Instead of starting with a hypothesis and testing it, I instead abused the data to see what correlations shake out. It’s a dangerous way to go about analysis, because any sufficiently large dataset will yield strong correlations completely at random.
  2. Lack of causal connection: There is probably Because these pages are automatically generated, it's possible that the two variables you are viewing are in fact causually related. I take steps to prevent the obvious ones from showing on the site (I don't let data about the weather in one city correlate with the weather in a neighboring city, for example), but sometimes they still pop up. If they are related, cool! You found a loophole.
    no direct connection between these variables, despite what the AI says above. This is exacerbated by the fact that I used "Years" as the base variable. Lots of things happen in a year that are not related to each other! Most studies would use something like "one person" in stead of "one year" to be the "thing" studied.
  3. Observations not independent: For many variables, sequential years are not independent of each other. If a population of people is continuously doing something every day, there is no reason to think they would suddenly change how they are doing that thing on January 1. A simple Personally I don't find any p-value calculation to be 'simple,' but you know what I mean.
    p-value calculation does not take this into account, so mathematically it appears less probable than it really is.
  4. Y-axis doesn't start at zero: I truncated the Y-axes of the graph above. I also used a line graph, which makes the visual connection stand out more than it deserves. Nothing against line graphs. They are great at telling a story when you have linear data! But visually it is deceptive because the only data is at the points on the graph, not the lines on the graph. In between each point, the data could have been doing anything. Like going for a random walk by itself!
    Mathematically what I showed is true, but it is intentionally misleading. Below is the same chart but with both Y-axes starting at zero.




Try it yourself

You can calculate the values on this page on your own! Try running the Python code to see the calculation results. Step 1: Download and install Python on your computer.

Step 2: Open a plaintext editor like Notepad and paste the code below into it.

Step 3: Save the file as "calculate_correlation.py" in a place you will remember, like your desktop. Copy the file location to your clipboard. On Windows, you can right-click the file and click "Properties," and then copy what comes after "Location:" As an example, on my computer the location is "C:\Users\tyler\Desktop"

Step 4: Open a command line window. For example, by pressing start and typing "cmd" and them pressing enter.

Step 5: Install the required modules by typing "pip install numpy", then pressing enter, then typing "pip install scipy", then pressing enter.

Step 6: Navigate to the location where you saved the Python file by using the "cd" command. For example, I would type "cd C:\Users\tyler\Desktop" and push enter.

Step 7: Run the Python script by typing "python calculate_correlation.py"

If you run into any issues, I suggest asking ChatGPT to walk you through installing Python and running the code below on your system. Try this question:

"Walk me through installing Python on my computer to run a script that uses scipy and numpy. Go step-by-step and ask me to confirm before moving on. Start by asking me questions about my operating system so that you know how to proceed. Assume I want the simplest installation with the latest version of Python and that I do not currently have any of the necessary elements installed. Remember to only give me one step per response and confirm I have done it before proceeding."


# These modules make it easier to perform the calculation
import numpy as np
from scipy import stats

# We'll define a function that we can call to return the correlation calculations
def calculate_correlation(array1, array2):

    # Calculate Pearson correlation coefficient and p-value
    correlation, p_value = stats.pearsonr(array1, array2)

    # Calculate R-squared as the square of the correlation coefficient
    r_squared = correlation**2

    return correlation, r_squared, p_value

# These are the arrays for the variables shown on this page, but you can modify them to be any two sets of numbers
array_1 = np.array([10,10,10,18,13,11,18,17,12,9,4,6,2,1,2,4,1,3,])
array_2 = np.array([730,690,820,820,820,830,890,790,710,570,550,470,480,480,420,380,360,470,])
array_1_name = "GMO use in cotton in Alabama"
array_2_name = "The number of photographers in Alabama"

# Perform the calculation
print(f"Calculating the correlation between {array_1_name} and {array_2_name}...")
correlation, r_squared, p_value = calculate_correlation(array_1, array_2)

# Print the results
print("Correlation Coefficient:", correlation)
print("R-squared:", r_squared)
print("P-value:", p_value)



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Correlation ID: 2901 · Black Variable ID: 767 · Red Variable ID: 4515
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