Additional Info: Three Colors: Blue (1993); Chocolat (2000); The Lovers on the Bridge (1991); Code Unknown (2000); The Horseman on the Roof (1995); Paris (2008); Summer Hours (2008); Wuthering Heights (1992); Flight of the Red Balloon (2007); Mauvais Sang (1986); A Few Days in September (2006); Mary (2005); The Children of the Century (1999); A Couch in New York (1996); Disengagement (2007); Certified Copy (2010); Elles (2011); Alice and Martin (1998); Camille Claudel, 1915 (2013); Another Woman's Life (2012); An Open Heart (2012); A Thousand Times Good Night (2013); Once Around the Park (1989); Clouds of Sils Maria (2014); Endless Night (2015); Antigone at the Barbican (2015); Odyssey in Rome (2005); The Wait (2015); Juliette Binoche dans les yeux (2009); Mara (1991); Mademoiselle Julie (2011); The World Is Not a Landscape (2005); Like Mother, Like Daughter (2017); Let the Sunshine In (2017); Vision (2018); Malaria Business (2017); Who You Think I Am (2019); How to Be a Good Wife (2020); Between Two Worlds (2022); Both Sides of the Blade (2022); Petites notes à propos du film 'Je vous salue, Marie' (1983); Infraction (2019); Investigation of a Film Above Suspicion (1991); Paradise Highway (2022); The Taste of Things (2023); La fabrique des pandémies (2022); CASTING (1986); Talking about Rose. Prisoner of Hissène Habré (2015); Kiarostami at Work (2023); The English Patient (1996); Caché (2005); Breaking and Entering (2006); The Unbearable Lightness of Being (1988); Damage (1992); Dan in Real Life (2007); Bee Season (2005); In My Country (2004); Jet Lag (2002); Cosmopolis (2012); Words and Pictures (2014); My Life - Michael Haneke (2009); Slack Bay (2016); Rendez-vous (1985); Polina (2016); Let's See Copia Conforme (2010); 7 Letters (2015); High Life (2018); Filming Haneke (2000); Non-Fiction (2018); The Truth (2019); L'homme tango (2015); Das Kino ist tot, es lebe das Kino - Berlinale-Beobachtungen (2020); Dans les pas de Jean-Paul Rappeneau (2022); Lars Eidinger – To Be or Not To Be (2023); The Widow of Saint-Pierre (2000); The Son of No One (2011); My Brother-in-law Killed My Sister (1986); Godzilla (2014); Michael H. – Profession: Director (2013); Ongoing Smile (2013); André Téchiné: A Passion for Cinema (2019); Winter Boy (2022); Histoire(s) du Cinéma 3a: The Coin of the Absolute (1998); Code Haneke (2022); Family Life (1985); Fort Bloqué (1985); The 33 (2015); Shirin (2008); Close to Kiarostami (2000); Cannes Uncut (2023); Farewell Fred (1985); 76 Minutes and 15 seconds with Abbas Kiarostami (2016); Citizens of Cosmopolis (2012); Le soir où j'ai reçu le César (2022); Hail Mary (1985); The Chicks (1985); Ghost in the Shell (2017); Women & Men 2: In Love There Are No Rules (1991); My Father Was a Red Balloon: Albert Lamorisse's Life Story (2008); Poumon vert et tapis rouge (2021); Wonder Boy (2019); Liberty Belle (1983); Still Alive: A Film About Krzysztof Kieslowski (2005); Paris Je T'aime (2006); Three Colors: Red (1994); Abbas Kiarostami: A Report (2013); Three Colors: White (1994); Live 8 (2005)
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The number of movies Juliette Binoche appeared in correlates with...
| Variable | Correlation | Years | Has img? |
| Points Scored by Winning Team in Super Bowl | r=-0.52 | 40yrs | No |
The number of movies Juliette Binoche appeared in also correlates with...
<< Back to discover a correlation
You caught me! While it would be intuitive to sort only by "correlation," I have a big, weird database. If I sort only by correlation, often all the top results are from some one or two very large datasets (like the weather or labor statistics), and it overwhelms the page.
I can't show you *all* the correlations, because my database would get too large and this page would take a very long time to load. Instead I opt to show you a subset, and I sort them by a magic system score. It starts with the correlation, but penalizes variables that repeat from the same dataset. (It also gives a bonus to variables I happen to find interesting.)